More About BB King chords & tabs - Tabstabs.com

However in 1994, Clapton released From the Cradlea collection of traditional tunes by Lowell Fulson, Willie Dixon, Muddy Waters, Elmore James, and Freddie King. The record is a lot more than a salutary gesture to Clapton's ancestorsit's a full-blown bluesfest, with riveting singing efficiencies and a few of the baddest guitar he has ever taped.

B.BKing Free Lead Guitar Tab for "The Thrill Is Gone" by Jeffrey Thomas

Blues Lick #41: B.BKing - free guitar lesson from justinguitar.com

The lick is normally credited to T-Bone Walker, who used it on his early-'40s recording of "Stormy Monday." It's hard to overemphasize Walker's effect on future guitarists' blues licks. As B.B. King himself described in the Mar. '75 GP, "I can still hear T-Bone in my mind today from that first record I heard'Stormy Monday.' He was the very first electric guitar player I heard on record.

The lick works well as an introduction or turnaround, and can be extremely effective in bars 6 and 7 of a 12-bar blues in Gin which case, the chords would be C (or C7) for the very first bar of the lick, and G (or G7) for the 2nd bar. Here's why this lick sits so nicely at that point in a 12-bar progression: The Bbs referral C7 (they're the chord's b7) and the Bns balance with G or G7 (they're the n3).

Eric Clapton — Riding With The King -with BB King bass tabs Fundamentals Explained

But then as you discover, you start to believe that there's currently among them. So  Find More Details On This Page  try to play as you play," counseled King in the Sept. '93 GP. In other words, once you have actually got these King- and Clapton-style blues licks under your belt, it's your duty to make them your own.

Using each of these expressions as a design template, craft new blues licks by slightly differing the rhythms and note options. Each lick can generate scores of variations. 2. The tempo markings are provided to indicate the tempo at which Clapton or King might play each particular lick, however you can individualize these lines by attempting them at a range of temposfrom dirge to strolling speed to sprint.

Attempt playing some of these blues licks an octave greater or lower than written. Recasting them up or down an octave can offer them a brand-new spin, while keeping their musical conception intact. (And while you're at it, attempt shifting blues licks to other keys. In some cases simply moving a lick up or down a few frets lets you hear it from a various viewpoint.) 4.